Miss Dior non plus? Not just yet! In this new film, directed by Anton Corbijn and staring Natalie Portman, we see Miss Dior, Christian Dior’s only child, about to get married but things don’t go as planned. Miss, in fact, is not quite ready to become a Madam and, instead of walking down the isle, decides to run away on a helicopter with a mystery man heading to the city of lights itself: Paris. But the story wouldn’t be complete without an iconic song for an equally iconic fragrance and what’s more iconic than Janis Joplin’s “Piece of my Heart”? The perfect love song for a heroine who’s not afraid to live her own life and remind us that “it’s Miss, actually”.

Click inside to see the making of the film! 

This year’s SAG Awards could be described using one, simple word: meh! Other than a few looks that really reached perfection, most of the outfits on this red carpet were simply - and tragically if you ask me- fine. No big missteps, no real risks, just a series of nice, fine fitting, already seen gowns – yes, I’m looking at you Lupita and at the flowy, chiffon skirts that you love so much! Luckily for me, there were a few looks that stood out like the edgy yet elegant dress (and tuxedo jacket!) that Emma Stone so gracefully wore, proving once again that she’s the true winner of this award season. Other winning looks? Julianne Moore’s sparkly, emerald gown, Felicity Jones’ delicate, blush pink dress and mom-to-be Keira Knightley’s beautiful and feminine purple Erdem look; a grand come-back from her not-so-good Chanel gown at the Globes! Now all we can do is sit back, relax and hope that the Oscars don’t disappoint, after all, you know what they say: save the best for last!

Click inside to see our complete best-dressed list!

There were many people who thought that John Galliano wasn’t the best choice for the role of creative director at Maison Margiela – these days it seems like it’s better to take the name of the founder off the label and leave only his surname – and all these people were proven wrong in Monday’s presentation of his first couture collection that took place in London. Everything, from the bright and clean white of the room to the skimpy shorts and platform shoes, was a perfect mix of the two esthetics. 

All the looks were based on the ideas of artisanal, recycling and deconstructing – three key words engraved in the Maison’s DNA – but it was their mix with Galliano’s love for romantic yet daring silhouettes and dramatic moments that gave us the most exciting pieces of the collection. In true Margiela fashion every single piece concealed a huge amount of details so much so that Christopher Baily, creative director at Burberry and one of the few lucky people invited to the runway debut, said that he “wanted to keep pressing the pause button, to study, look closer at, play with and enjoy the clothes”.

As a matter of fact, this would have been the only way to truly appreciate every single element that went into creating the collection: a sleeveless canvas jacket was trimmed with matchbox cars, a crimson red coat was embellished with red lacquered seashells arranged in the fashion of Giuseppe Arcimboldo’s paintings and a long, black, wool coat was covered with toy soldiers. Galliano then balanced these heavy-detailed looks with other simpler, plainer garments: their quiet, monochrome perfection offered a moment of breath in an otherwise dense collection. But it was the last look that walked down the runway that had everyone in the audience gasp: a red, grand ball gown fronted with jewels, mirrors, portrait miniatures and more. To top the whole look off the model wore an organza-made, bejeweled day of the dead mask and an equally bejeweled glove. 

Instead of the grand exit that we all expected, Galliano took a blink-and-you-missed-it bow wearing none of his flamboyant signature looks, but the mansion’s traditional white coat; maybe to show that this time he’s there to stay. As shoe-designer, Manolo Blanick brilliantly declared “the boy is back!” Yes, he is indeed.   

Click inside to see the whole collection!

If someone were to ask me what’s my favorite season, my immediate answer would be “award season, of course!” I love having to stay up until five in the morning – yes, I live in the “wrong” part of the world- just to see who wins, I love betting with my sister on who is going to give the most awkward yet somehow adorable speech and I love laughing at jokes that grow funnier and funnier as my sleep deprivation grows deeper. But what I love most about award season is the fashion. I mean, come on! Gorgeous people wearing gorgeous (and sometimes not so gorgeous) gowns? Who could resist! Yesterday’s Golden Globes marked the beginning of this season: all-nighters were pulled, awkward and adorable speeches were spoken and not-so-funny jokes became hysterical and then there was the main reason most people even know what the Golden Globes are: the red carpet. From the regal, fairy-tale-like ball gowns beautifully worn by Felicity Jones and Anna Kendrick (who looked like a real life, modern Cinderella) to the dazzling and shiny looks sported by Julianne Moore, Reese Witherspoon and Fifty Shades of Grey star Dakota Johnson, the fashion on last night’s red carpet was on fire! Speaking of fire, both Taylor Schilling and Allison Williams rocked one of the biggest trends of the night, the red dress, turning what could have been a safe and boring choice into a true fashion moment. Nevertheless, the true winners of the night were Lorde and Emma Stone, who both decided to ditch the traditional gowns and go for pants: they looked powerful, stylish and sensational and reminded us all of how fun breaking the rules can be!

Click inside to see the complete Best-Dressed list!